FATHER JALAL NOSIROV
Years lived: 1845, Bukhara-1928, Samarkand
Specialty: singer, singer (tanbur)
Educated: he falls into the apprentice of one of the status connoisseurs of his time, the famous singer Tillaboy hofiz. Father Jalal learns from his teacher the parts of Shashmakom that belong to the “Nasr” section. He is formed throughout his career as a skilled tanburist and singer. Shashmakom has the opportunity to play the instrumental and singing tracks in an orderly manner.
Labor activity: father Jalal is admitted to court prescriptions in his 20s. He will soon gain the attention of the people of the palace with his unique talent as well as his juicy voice. After that, he is appointed head of the court musicians. He grows up to be one of the influential Maqam teachers of his time and leads a group of maqamists in the courts of Amir Muzaffarkhan, Abdulahad Khan and Olimkhan. Father Jalal leads a mentoring career at the Research Institute of music and choreography, which opened in Samarkand in 1928. At this meeting, he told a number of art figures such as Halim Ibadov, Haji Abdulaziz Abdurasulov, Shadi Azizov, Shonazar Sahibov, as well as famous composers. Ashrafi, M. Burhonov, T. Sadigov, Sh. Teaches lessons to Ramazonov and others.
Creative activity: a connoisseur of Bukhara statuses, a skillful tanburchi, zabardast hofiz approaches him creatively in the process of performing father Shashmakom. It is stated in some sources that there was a creative relationship in his activities. In particular, a savt corresponding to the status of “Segoh” binds and names it “Savti Jaloli”. In this regard, a. In his pamphlet “Uzbek classical music and its history”, Fitrat States the following reasoning: “in the status of Segoh there was no branch of savt. “Savt” was composed by the famous musician father Jalal in 1922 with my encouragement”. Father Jalal operates the “School of Oriental music”, which opened in Bukhara in the 20s of the 20th century. Teaches the art of status to influential musicians and singers of their time. “In 1923, V.A. The elderly master also served as the main support for the note of Bukhara “Shashmakomi” by Uspensky. V.A. Uspensky” Shashmakom”is based on the performances of a number of noble singers, such as Father Ghiyos Abdugani, Abdurahman Tanburiy (Umarov), Domla Halim Ibadov, Ma’rufjon Toshpolatov, in moving his muskilot and prose to the note”. The Bukharan “Shashmaqomi” was founded in 1924 under the initiative of Abdurauf Fitrat, with father Jalal and father Ghiyos and V.A. Moved to the note with the uspenskys and published in Moscow under the title “six musical poems” (Shest muzikalnix poem).